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https://w.atwiki.jp/touhoukashi/pages/2324.html
【登録タグ EUROBEAT HOLIC IV Eurobeat Union L Metallical Remasters SOUND HOLIC THE BEST OF RECENT WORKS YURiCa/花たん 天 -TEN- 山奥のエンカウンター 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/34.html
【登録タグ A Alstroemeria Records Exserens - A selection of Alstroemeria Records For Your Pieces Harmony nomico アリスマエステラ 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/wow-databank/pages/79.html
{{Classnav}} Shaman are jacks-of-all-trades, able to use a combination of ranged spells, short range shocks, heals, melee weapons, and their Shaman Totems|totems which can provide all kinds of utility. ==Abilities Table== スペル名の色が属性を表します。 Nature Physical Fire Frost Standard Abilities=== タレントに関係なく必ず取得できるアビリティ一覧。 Ability Level Type Description Healing Wave 1 Heal 味方ターゲットを回復させる Lightning Bolt 1 Damage 魔法ダメージを与える（Rankに応じてmin13～max467程度） Rockbiter Weapon 2 Weapon Buff スペルを使用した武器のDPS（ダメージ/秒）を増やす。効果時間：30分 Earth Shock 4 Shock Spell 目標に一定ダメージを与える。さらに、詠唱を中断させ、同属性のスペルを２秒間詠唱不可とする。 Stoneskin Totem 4 Earth Totem トーテムを設置します(射程：20yard、出現時間：2分)効果：範囲内のパーティメンバーに対する近接ダメージを軽減する Earthbind Totem 6 Earth Totem トーテムを設置します（射程：10yard、出現時間：45秒)範囲内の敵の移動スピードを遅くし，Stealthを暴く Lightning Shield 8 Shield 攻撃を受けた際にダメージを攻撃者に与える。効果時間：10分or3回発動 Stoneclaw Totem 8 Earth Totem Taunts and sometimes stuns enemies. Flame Shock 10 Shock Spell Short range instant cast nuke with a DoT effect. Shared cooldown with all other shocks. Flametongue Weapon 10 Weapon Buff A self weapon buff which adds fire damage. Searing Totem 10 Fire Totem A sort of smart fire DoT. Strength of Earth Totem 10 Earth Totem Increases the strength of party members within 20 yards for 2 min. Ancestral Spirit 12 Resurrection The normal out-of-combat Rez. Fire Nova Totem 12 Fire Totem Low AoE fire damage with a cooldown. Purge 12 Debuff Remove 1-2 buffs from an enemy target. Cure Poison 16 Heal Cure 1 poison effect on the target. Tremor Totem 18 Earth Totem Periodically remove Fear, Charm and Sleep effects from party members within 20 yards. Lasts 2 min. Frost Shock 20 Shock Spell Instant cast short range nuke, which also slows the targets movement speed to 50%. Also causes a high amount of threat. Shared cooldown with all other shocks. Frostbrand Weapon 20 Weapon Buff Adds a frost proc chance to the shamans own weapon which causes additional frost damage and slows the target s movement speed to 75% for 8 sec. Ghost Wolf 20 Travel Spell 40% speed increased travel form, only usable outdoors, but also in combat. Healing Stream Totem 20 Water Totem Small AoE heal over time for 2 min. Lesser Healing Wave 20 Heal Quick cast "small" heal. Cure Disease 22 Heal Cures 1 disease on the target. Poison Cleansing Totem 22 Water Totem Remove 1 poison effect from all party members within 20 yards every 5 seconds. Lasts 2 min. Water Breathing 22 Buff Allows the target to breathe underwater for 10 min. Frost Resistance Totem 24 Fire Totem Increase frost resistance of all party members within 20 yards for 2 min. Far Sight 26 Utility Changes the caster s viewpoint to the targeted outdoor location. Magma Totem 26 Fire Totem A limited AoE DoT Mana Spring Totem 26 Water Totem This totem regenerates Mana for all party members for 1 min. Fire Resistance Totem 28 Water Totem Increase Fire Resistance of all party members within 20 yards for 2 min. Flametongue Totem 28 Fire Totem Buff all party members melee weapons with additional fire damage for 2 min. Water Walking 28 Buff Allows the friendly target to walk across water for 10 min. Astral Recall 30 Travel Spell The same effect as a hearthstone (to the same destination too), with 15 min cooldown. Grounding Totem 30 Air Totem Absorbs one harmful spell cast at party members every 10 sec. Is destroyed by the first damaging spell it absorbs. Lasts 45 sec, has 15 sec. cooldown. Nature Resistance Totem 30 Air Totem Increase Nature Resistance of all party members within 20 yards for 2 min. Reincarnation 30 Resurrection Self-rez, usable once per hour. Windfury Weapon 30 Weapon Buff The shamans melee weapon gains a 20% chance to deal additional damage equal to two extra attacks with X extra attack power on each hit. Lasts for 30 minutes. Chain Lightning 32 Damage Ranged nuke with a casting time which can hit up to three enemies (with reduced damage on each target after the first one). Windfury Totem 32 Air Totem Buff all party members melee weapons with a 20% chance to gain an additional attack with additional attack power on each melee hit for 2 min. Sentry Totem 34 Air Totem Allows the shaman to switch his point of vision to the totem s location for 5 min. Windwall Totem 36 Air Totem Reduce ranged damage for party members within 20 yards for 2 min. Disease Cleansing Totem 38 Water Totem Remove 1 disease effect from every party member within 20 yards every 5 seconds for 2 min. Chain Heal 40 Heal Heals up to three friendly targets. Each jump reduces the effectiveness of the heal by 50%. Grace of Air Totem 42 Air Totem Increase agility for all party members within 20 yards for 2 min. |Tranquil Air Totem|50|Air Totem|Reduce the threat caused by all party members within 20 yards by 20% for 2 min. |} ===Talent Granted Abilities=== Rank 1 in these abilities is only unlocked by purchasing them from the appropriate Talent tree. Ranks 2 and beyond can then be purchased from the Shaman Trainer as normal. ====Elemental==== {|class="darktable sortable" !width="100px"|Ability|Requirements|Type|Description| Elemental Mastery Elemental 30Elemental Fury 1 Buff When activated, this spell makes your next Fire, Frost, or Nature damage spell free of mana cost and grants it a 100% critical strike chance. |Totem of Wrath|Elemental 40Lightning Overload 5|Fire Totem|Summons a Totem of Wrath with 5 health at the feet of the caster. The totem increases the chance to hit and critically strike with spells by 3% for all party members within 20 yards. Lasts 2 min. |} ====Enhancement==== {|class="darktable sortable" Ability Requirements Type Description Dual Wield Enhancement 30 Passive Allows the shaman to dual wield one handed weapons. Stormstrike Enhancement 30 Buff Instantly attack with both weapons. In addition, the next 2 sources of Nature damage dealt to the target are increased by 20%. Lasts 12 sec. Shamanistic Rage Enhancement 40 Buff Gives your successful melee attacks a chance to regenerate mana equal to 15% of your attack power. Lasts 30 sec. ====Restoration==== Ability Requirements Type Description Nature's Swiftness Restoration 20 Buff When activated, your next Nature spell with a casting time less than 10 sec. becomes an instant cast spell. Mana Tide Totem Restoration 30Restorative Totems 5 Water Totem Summons a Mana Tide Totem with 5 health at the feet of the caster for 12 sec that restores 6% mana every 3 seconds to group members within 20 yards. Earth Shield Restoration 40Nature s Blessing 3 Shield Protects the target with an earthen shield, giving a 30% chance of ignoring spell interruption when damaged and causing melee attacks to heal the shielded target for X. This effect can only occur once every few seconds. 10 charges. Lasts 10 min. Earth Shield can only be placed on one target at a time and only one Elemental Shield can be active on a target at a time. ===Burning Crusade Abilities=== Note The following are from [http //www.worldofwarcraft.com/info/classes/bc-shaman/spells.html here] Ability Level Type Description http //www.wowwiki.com/Water_Shield Water Shield 62 Shield The caster is surrounded by 3 globes of water. When a spell, melee or ranged attack hits the caster, 95 mana is restored to the caster. This expends one water globe. Only one globe will activate every few seconds. Lasts 10 min. http //www.wowwiki.com/Wrath_of_Air_Totem Wrath of Air Totem 64 Air Totem Summons a Wrath of Air Totem with 5 health at the feet of the caster. Party members within 20 yards of the totem have their magical damage and healing from spells and effects increased by up to 101. Lasts 2 min. http //www.wowwiki.com/Earth_Elemental_Totem Earth Elemental Totem 66 Earth Totem Summons an elemental totem that calls forth a greater earth elemental to protect the caster and his allies. Lasts 2 min. http //www.wowwiki.com/Fire_Elemental_Totem Fire Elemental Totem 68 Fire Totem Summons an elemental totem that calls forth a greater fire elemental to rain destruction on the caster s enemies. Lasts 2 min. http //www.wowwiki.com/Bloodlust Bloodlust 70 Party Buff Horde Only Increases melee, ranged, and spell casting speed by 30% for all party members. Lasts 40 seconds. http //www.wowwiki.com/Heroism Heroism 70 Party Buff Alliance Only Increases melee, ranged, and spell casting speed by 30% for all party members. Lasts 40 seconds. ==Abilities by Type== ===Ranged Damage=== ====Long Range==== Shaman have two long range attack spells (30 yards range), the single target Lightning Bolt and the multi-target Chain Lightning. Lightning bolt is good for pulling and taking out a runner. ====Short Range==== The 3 Shock spells have a 20 yards range and provide good burst damage during a fight. Earth Shock is useful because it interrupts spell casting. Frost Shock slows the enemies which allows you to catch people running away or slow down attacker coming at you (this is the shaman s best kiting spell), it also causes extra threat, making it great for pulling mobs off of casters. A single Flame Shock does more damage than either Earth Shock or Frost Shock. However, the damage is spread out over 12 seconds (this is the shaman s only DoT spell). ===Weapon Buffs=== Rockbiter Weapon gives a straight bonus to the weapon s dps. Rockbiter is the only weapon enchant that functions while in Ghost Wolf form, because it is not a "weapon proc". Flametongue Weapon adds slightly less damage than its peers, but it is a good choice for increasing damage consistently against foes with high armor or frost resistance. It also benefits from spelldamage gear and, for certain (typically elemental caster) setups, can provide superior DPS with a fast weapon. Frostbrand Weapon provides superior (though less consistent) DPS when compared with Flametongue. It also slows enemies when it procs, though most consider this to have marginal utility considering the availability of Frost Shock. Windfury Weapon gives a 20% chance of 2 extra attacks with greatly increased attack power. While this can give inconsistent damage, it can also provide impressive results if the additional attacks score critical hits. Beware, Windfury crits can cause high amounts of threat and can easily steal aggro in group battles. Which buff to use is a matter of preference and situation. Rockbiter provides consistent damage, Windfury delivers the highest burst damage (for nearly instant kills in PvP), Frostbrand produces a limited snare effect basically for free, and Flametongue delivers constant damage regardless of opponents armor. Dual-wielding shamans apply buffs to each weapon separately. Procs from offhand weapon buffs suffer the usual damage penalty. See the article of Windfury Weapon for quirks about dual-wield buffing. ===Healing=== Shaman have three types of healing spells. Healing Wave is big, slow and relatively mana-efficient heal. Lesser Healing Wave is quick and less efficient. Chain Heal is an AoE heal of sorts. When a shaman puts enough points in the Restoration tree, he can become a full-fledged healer. Shaman can also Cure Poison and Cure Disease (singularly or with group-affecting totems). ===Totem=== Totems fall into several different categories. For more, go to Shaman Totems. ====Damage==== Searing Totem is a single target damage totem. Fire Nova Totem does a single AoE attack to all nearby. Magma Totem surrounds itself with an AoE DoT effect. None of these totems cause substantial amounts of damage. ====Buff==== Stoneskin Totem, Strength of Earth Totem and Grace of Air Totem all provide a direct buff to party member stats. Flametongue Totem and Windfury Totem each provide a limited version of the self-weapon buffs to the party. Grounding Totem, Tranquil Air Totem, Windwall Totem, Tremor Totem, Frost Resistance Totem, Fire Resistance Totem and Nature Resistance Totem each provides protection against some adverse effect. The resistances are not cumulative with the resistance gain from a druid s Mark of the Wild. Wrath of Air Totem provides a plain bonus to spell damage and healing. ====Debuff==== Earthbind Totem and Stoneclaw Totem debuff the enemies by slowing them down and distracting them, respectively. ====Healing==== Healing Stream Totem and Mana Spring Totem increase the regeneration rate of health and mana respectively. The Poison Cleansing Totem and the Disease Cleansing Totem remove those effects from party members. image shaman_spell_damage2.gif|thumb|Damage-based Shaman spells, displayed as damage-per-mana-point.Image Shaman_damage_crits.gif|thumb|The same graph, but with Crit values displayed as well. {{SpellFooter|Shaman}} Category Shaman Abilities
https://w.atwiki.jp/elvis/pages/1768.html
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The University of Iowa Museum of Art 101 Masterworks Univ of Washington Pr?Robert Hobbs? Early Cycladic Art in North American Collections Virginia Museum of Fine Arts?Pat Getz-Preziosi? The New Painting Impressionism 1874-1886 Documentation Fine Arts Museum of San?Fine Arts Museums of San Francisco?Ruth Berson? The New Painting, Impressionism, 1874-1886 An Exhibition Organized by the Fine Arts Museums of San Francisco With the National Gallery of Art, Washington Fine Arts Museum of San?Charles S. Moffett?Ruth Berson?Barbara Lee Williams? The World of Frida Kahlo The Blue House Museum of Fine Arts Houston?Houston Museum of Fine Arts?Erika Billeter? Memory and Imagination The Legacy of Maidu Indian Artist Frank Day Univ of Washington Pr?Rebecca J. Dobkins?Carey T. Caldwell?Frank Day?Frank R. Lapena?Oakland Museum of California? Late 20Th-Century Art Selections from the Sydney and Frances Lewis Collection in the Virginia Museum of Fine Arts Virginia Museum of Fine Arts?Frederick R. 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STE... Steadman, J. M.1917."The Origin of the Historical Present in English". Studies in Philology 14 1-46. Steadman-Jones, Richard. 2017. "The Depiction of the Non-Native Speaker in Two Versions of the Madame Butterfly Story", in Dialect and Literature in the Long Nineteenth Century, ed. Jane Hodson. London New York Routledge. Steane, J. B. (ed.)1969.Christopher Marlowe The Complete Plays. Penguisn Books. Steele, T. 1990. Missing Measures Modern Poetry and the Revolt against Meter. Fayetteville University of Arkansas Press. Steen, S. J. (ed.)1994.The Letters of Lady Arbella Stuart. Women Writers in English 1350-1850. Oxford University Press. Stefanowitsch, Anatol S. T. Gries (eds.)2006.Corpus-Based Approaches to Metaphor and Metonymy. Trends in Linguistics, Studies and Monographs, 171. Mouton de Gruyter. Stefanowitsch, Anatol Stefan Th. Gries.2003."Collostructions Investigating the Interaction of Words and Constructions". International Journal of Corpus Linguistics 8 209-43. Stefanowitsch, Anatol.2003."Constructional semantics as a limit to grammatical alternation The two genitives in English", in Determinants of Grammatical Variation in English, ed. G. Rohdenburg B. Mondorf, pp. 413-43. Mouton de Gruyter. Stein, Dieter. 1987. "At the Crossroads of Philology, Linguistics and Semiotics Notes on the Replacement of th by s in the Third Person Singular in English". English Studies 5 406-431. Stein, D.1990.The Semantics of Syntactic Change Aspects of the Evolution of do in English. Berlin Mouton de Gruyter. Stein, D. I. Tieken-Boon (eds)1993.Towards a Standard English, 1600-1800. Topics in English Linguistics, 12. Mouton de Gruyter. Stein, Dieter Rosanna Sornicola (eds.)1998.The Virtues of Language History in Langauge, Linguistics and Texts. Papers in Memory of Thomas Frank. John Benjamins. Stein, Dieter Susan Wright (Eds.)1995Subjectivity and Subjectivisation. Cambridge CUP. Stein, Dieter. 2003. "Pronominal Usage in Shakespeare Between Sociolinguistics and Conversation Analysis". in Diachronic Perspectives on Address Term Systems, eds. A. H. Jucker I. Taavitsainen, pp. 251-307. Philadelphia John Benjamins, Stein, Dieter.1991."Semantic Aspects of Syntactic Change", in Historical English Syntax, ed. D. Kastovsky, pp. 355-66. Berlin New York Mouton de Gruyter. Stein, Dieter.1986."Syntactic Variation and Change The Case of DO in Questions in Early Modern English". Folia Linguistica Historica 7 121-49. Stein, Dieter.1988."On the Linguisticts of Early Congregational Puritanism Verb Morphology in the Letters from New England (1629-1638)", in Papers on Language and Mediaeval Studies Presented to Alfred Schopf, ed. R. Matthews J. Schmole-Postosky, pp. 271-84. Peter Lang. Stein, Dieter.1998."Relative Sentences in Late Middle English The Paston and the Cely Letters", in The Virtues of Language History in Language, Linguistics and Texts Papers in Memory of Thomas Frank, ed. D. Stein R. Sornicola, pp. 67-77. John Benjamins. Stein, Dieter.1985."Discourse Markers in Early Modern English", in Papers from the 4th International Conference on English Historical Linguistics, ed. R. Eaton, et al., pp. 283-302. John Benjamins. Stein, Dieter.1997."Syntax and varieties", in Taming the vernacular From dialect to written standard language, ed. J. Cheshire D. Stein, pp. 35-50. London Longman. Stein, Dieter.1995."Subjective meanings and the history of inversions in English", in Subjectivity and subjectification, ed. D. Stein S. Wright. CUP. Stein, Dieter.1990."Aspects of the development of do in English." English past and present (1990) 119-136. Stein, Dieter.1994."The expression of deontic and epistemic modality and the subjunctive", in Studies in Early Modern English, ed. Dieter Kastovsky, pp. 403-11. Berlin Mouton de Gruyter. Stein, G.1997.Linguistic Pioneering in the Renaissance A Study of John Palsgrave. OUP. Stein, Gabriele Randolph Quirk.1991."On Having a Look in a Corpus". English Corpus Linguistics Studies in Honour of Jan Svartvik, ed. Karin Aijmer Bengt Altenberg, pp. 197-203. London Longman. Stein, Gabriele.2006.A Dictionary of English Affixes Their function and meaning. Lincom. Stein, Gabriele.1991."The Phrasal Verb Type to have a look in Modern English". International Review of Applied Linguistics in Language Teaching 29 1-29. Stein, Gabriele.2006."Unsupported Negative Ne in Richard Huloet (1552)". Notes and Queries n.s. 53 305-306. Stein, G. 2014. Sir Thomas Elyot as Lexicographer. Oxford Oxford University Press. Steiner, Emily.2003.Documentary Culture and the Making of Medieval English Literature. CUP. Steinki, J.1932.Die Entwicklung der englischen Relativ-pronomina in spaetmittelenglischer und fruehneuenglischer Zeit. Breslau diss. Steins, Carsten.1998Against Arbitrary Features in Inflection Old English Declension Classes. Phonology and Morphology of the Germanic Languages. Ed. Wolfgang Kehrein and Richard Wiese. Linguistische Arbeiten 386. Tubingen, pp. 241-65. Steinvall, Anders.2000"Aspects of elaborate colour terms in Victorian poetry", in The Evidence of Literature Interrogating Texts in English Studies, ed. Sven-Johan Spanberg, Henryk Kardela Gerald Porter, pp. 403-19. Lublin Maria Curie-Sklodowska University Press. Stekauer, Pavol.2000.English Word-Formation A History of Research. Gunter Narr. Stemmler, T.1962."Zur Datierung des MS. Harley 2253". Anglia 80 111-18. Stenbrenden, Gjertrud F. 2022. "Grimm’s Law and Verner’s Law Towards a unified phonetic account", in English Historical Linguistics Change in Structure and Meaning, ed. Bettelou Los, Claire Cowie, Patrick Honeybone Graeme Trousdale, pp. 16-40. Amsterdam John Benjamins. Stenström, Anna-Brita. 2020. "From Yes to Innit Origin, Development and General Characteristics of Pragmatic Markers", in Voices Past and Present - Studies of Involved, Speech-related and Spoken Texts In honor of Merja Kytö, ed. Ewa Jonsson Tove Larsson, pp. 266-281. Amsterdam John Benjamins. Stenroos, Merja.2004."Regional dialects and spelling conventions in late Middle English Searches for (th) in the LALME data", in Methods and Data in English Historical Dialectology, pp. 257-85. Frankfurt am Main Peter Lang. Stenroos, Merja. 2010. "The pronoun of address in Piers Plowman Authorial and scribal usage." Journal of Historical Pragmatics 1(1) 1-31. Stenroos, M. 2020. "The ‘vernacularisation’ and ‘standardisation’ of local administrative writing in late and post-medieval England", in L. Wright (Ed.), The Multilingual Origins of Standard English (pp. 39-86). Berlin Mouton de Gruyter. Stenroos, Merja. 2020. "Regional variation and supralocalization in late medieval English Comparing administrative and literary texts", in Records of Real People Linguistic Variation in Middle English Local Documents, pp. 95-128. Amsterdam John Benjamins. Stenroos, Merja. 2020. "Land Documents as a Source of Word Geography", in Records of Real People Linguistic Variation in Middle English Local Documents, pp. 175-202. Amsterdam John Benjamins. Stenroos, Merja, Geir Bergstrøm and Kjetil V. Thengs. 2020. "The categorization of Middle English documents Interactions of function, form and language", in Records of Real People Linguistic Variation in Middle English Local Documents, pp. 37-67. Amsterdam John Benjamins. Stenroos, Merja Delia Schipor. 2020. "Multilingual Practices in Middle English Documents", in Records of Real People Linguistic Variation in Middle English Local Documents, pp. 249-277. Amsterdam John Benjamins. Stenroos, Merja Kjetil V. Thengs. (eds.) 2020. Records of Real People Linguistic Variation in Middle English Local Documents. Amsterdam John Benjamins. Stenroos, Merja Kjetil V. Thengs. 2020. "Local Documents as Source Material for the Study of Late Medieval English", in Records of Real People Linguistic Variation in Middle English Local Documents, pp. 1-31. Amsterdam John Benjamins. Stenroos, Merja Kjetil V. Thengs. 2020. "The geography of Middle English documentary texts", in Records of Real People Linguistic Variation in Middle English Local Documents, pp. 69-92. Amsterdam John Benjamins. Stenstroem, Anna-Brita, G. Andersen, I. K. Hasund.2002.Trends in Teenage Talk Corpus Compilation, Analysis and Findings. Sudies in Corpus Linguistics, 8. John Benjamins. Stenstroem, Anna-Brita.1990."Lexical items peculiar to spoken discourse", in The London-Lund Corpus of Spoken English, ed. J. Svartvik, pp. 211-52. Lund University Press. Stenstroem, Anna-Brita.1997."""Tags in Teeage Talk"", From Aelfric to the New York Times Studies in English Corpus Linguistics edited by Udo Fries. Amsterdam Rodopi." Stenstroem, Anna-Brita.1995."Some remarks on comment clauses", in The verbs in contemporary English Theory and description, ed. Bas Aarts Charles F. Meyer, pp. 290-301. Cambridge Cambridge University Press. Stenstroem, Anna-Brita.1998."From sentence to discourse cos (because) in teenage talk", in Discourse markers Descriptions and theory, ed. A. Jucker Y. Ziv, pp. 127-46. Amsterdam John Benjamins. Stenstroem, Anna-Brita.1999."He was really gormless--She s bloody crap Girls, Boys and Intensifiers", in Out of Corpora, ed. H. Hasselgard S. Oksefjell, pp. 69-78. Rodopi. Stenstrom, A-B.1988"Adverbial commas and prosodic segmentation". In Kyto et al (eds) 1988 221-236. Revised version in Svartvik (ed) 1990 253-266. Stenstrom, A-B.1987"Carry-on signals in English conversation." In Meijs (ed) 1987 87-119. Stenstrom, A-B.1986"A study of pauses as demarcators in discourse and syntax." In Aarts Meijs (eds) 1986 203-218. Stenstrom, A-B.1986."What does really really do? Strategies in speech and writing". In Tottie Backlund (eds) 1986 149-163. (Reprinted in Grammar in the construction of texts, ed J. Monaghan, 65-79. London Frances Pinter, 1987.) Stenstrom, Anna-Brita.1988."Questioning in conversation". Questions and questioning, ed M. Meyer, 304-325. Berlin Walter de Gruyter. Stephens, J. R. Waterhouse. 1990. Literature, Language and Change from Chaucer to the Present. London Routledge. Stern, Gustaf.1921.Swift, Swiftly, and their Synonyms. Goeteborg Wettergren Kerber. Stern, Gustaf.1931.Meaning and Change of Meanin. Goeteborgs hoegskolas arsskrift. Stern, M. R.1955"An Approach to the Pearl", in H. Larsen, R. W. Rogers, G. B. Evans, pp. 203-11. Steven, M. A.C. Cawley(eds.)1994.The Towneley Plays, vols. I II. EETS s.s. 13 14. Oxford University Press. Stevens, J.1973.Medieval Romance. London Hutchinson. Stevens, M.1987.Four Middle English Mystery Cycles Textual, Contextual, Critical Interpretations. Princeton U. P. Stevens, M.1972."The York Cycle From Procession to Play". LSE n.s. 6 37-61, 113-15. Stevens, M. M Dorrell.1974."The Ordo Paginarium Gathering of the York A/Y Memorandum Book". MP 72 45-59. Stevens, Sandra.2003.English Verbs. TYB. Stevenson, Victor.1999.The World of Words An Illustrated History of Western Languages. New York Sterling Publishing Co. Stevick, R. D.1992.A Firstbook of Old English. Tokyo Kenkyusha. Stevick, R. D. (ed.)1994.One Hundred Middle English Lyrics. Revised edition. University of Illinois Press. Stevick, Robert D. 2005. "Diagramming Noun Phrases in Early English." A. Tara, Shizuya, Mayumi Sawada and Larry Walker, eds. Language and Beyond A Festschrift for Hiroshi Yonekura on the Occasion of his 65th Birthday. Tokyo Eichosha. Stevick, Robert D.1962."The Oral Formulatic Analysis of Old English Verse". Speculum 37 382-89. Stevick, Robert D. (ed.)1967.Five Middle English Narratives. The Bobbs-Merrill Company. Stevick, R. D.1964."The Morphemic Evolution of Middle English She". ES 45 381-8. Stewart, Ann H.1973."The Old English Passive Infinitive". Journal of English Linguistics (Bellingham, WA) 7 57-68. Stewart, H. F., E. K. Rand S. J. Tester (eds. trans.)1973.Boethius The Consolation of Philosophy. Cambridge, MA Harvard University Press. Stewart, Lauren M. 2011. "The Representation of Northern English and Scots in Seventeenth Century Drama". Edinburgh University of Edinburgh PhD thesis. Stewart, Thomas W., Jr.1999. The Mind and Spirit of Old English mod and fer(h)? the Interaction of Metrics and Compounding. Ohio State Univ. Working Papers in Ling. 52 51-62.
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Florida Augmented and Virtual Reality Market Scope The Florida Augmented and Virtual Reality-market size was assessed at USD in 2023. Developing number of organizations tapping the nearness Florida Augmented and Virtual Reality market, alongside expanding interests in the Florida Augmented and Virtual Reality Market innovation, is supposed to move the business development. expected to register an exponential CAGR valued at in 2032, is the very large growth connectivity across the globe in today’s modern society The presentation of Florida Augmented and Virtual Reality Market has upset the adopters tasks by driving another degree of client commitment through personalization. The development possibilities can be ascribed to the flooding distinction of area based promoting in the retail Florida Augmented and Virtual Reality business. Joining the advantages of actual shopping experience with advanced environment has become significant for physical retailers. 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必要条件 Base Level 60 アイテム Green Potion １個, Yellow Gemstone １個 Zeny 1,000 報酬 Base Exp 90,000 日本版タイトル ： 歴史学者 1. Walk near Busy Looking Boy (prontera 248, 212) in Prontera× to trigger a conversation. After picking up the books with him, you will be asked to send them to the Historian, Mr. Karlomoff in Juno×. Note If you lose the books before you deliver them to Karlomoff, you can buy new ones from the Prontera library. 2. Travel to Juno and find the Historian, Karlomoff (yuno 311, 195). After a conversation about a traditional rhyme, you will be requested to deliver a report to a colleague in Morroc×. You will receive a File Folder. 3. Proceed to a building at Morroc 5 o clock (morocc 198, 63) to find the Historian, Rodafrian (morocc_in 45, 126). Tell her the rhyme you previously heard, but you will be asked to find someone in Mjolnir to verify it. 4. Go to Mt. Mjolnir 1, two maps north of Geffen. Find the Historian, Mondo (mjolnir_01 135 168) and tell him the version you heard Note If directly copying/pasting, be careful not to copy any spaces at the beginning or end of the phrase, as it will not work correctly. The great serpent swallowed the sea. The eagle of the rainbow swallowed the serpent. Then the eagle built its nest. A nest upon the swallowed sea. You will then be asked to find a child who sang the rhyme. 5. Find the Absent-Minded Boy (mjolnir_01 313, 269) to hear the rhyme, but you will be interrupted by the Exhausted-Looking Woman (mjolnir_01 316, 268). Talk to the woman again and you will be requested to send herbs to Father Bamph in Prontera Church. 6. Talk to Father Bamph (prt_church 185, 106) to learn about the Jormungand Curse. He will request you to inquire about the rhyme from the woman. 7. After learning about the difference of the rhymes from Bonnie Imbullea (Exhausted-Looking Woman, mjolnir_01 316, 268), return to Father Bamph to inform him about it. 8. You will be asked to investigate the bodies of the dead princes in the mausoleum, through the secret path in the cabinet. 9. Talk to Father Bamph first then examine the bodies from left to right and you find something suspicious. Answer "Poison!" 10. Return to the church and Father Bamph will ask to search for information in the Assassin Guild. 11. Proceed to the Assassin Guild and talk to the Assassin Guildsman (moc_fild16 201, 295). You will be asked to investigate at the Assassin s Secret Inn. 12. Enter the building at Morroc 8 o clock (morocc 43, 108). 13. Find Marjana (que_job01 10, 16) in the room to understand the method of using a Yellow Gemstone and Green Potion to identify poison. (Players will only have 4 minutes to remain in the room). 14. Return to Morroc (you must leave the building normally, using teleport or butterfly wing will cause problems!). You will reflect on what you now know, and have to decide on one of the following A. Go back to Father Bamph first, or B. Inform Rodafrian. (This could violate the priest s edict and cause a quest complete without Exp) Option A Go To Father Bamph First 1A. Go back to Father Bamph. He will ask you to verify if the princes are poisoned or not. 2A. Go to the mausoleum. Check on the 3rd prince. (Must have 1 Green Potion and 1 Yellow Gemstone). 3A. The serpent mark will vanish. Go back to the church office to discuss further. 4A. Father Bamph will ask you not to reveal the results to anyone yet due to the impact of the matter. He will ask you to bring some relief to Bonnie Imbullea. (Gain 90,000 base experience) 5A. Go back to Bonnie Imbullea (mjolnir_01 316, 268). Tell her that the exorcism is not her fault and good news will arrive soon. 6A. Go to Rodafrian. There will be 2 options here, i) Tell her about the curse - She will be grateful and tell you about Western Region and Jormungand. Return to Father Bamph one last time to complete the quest. ii) Not telling her - Rodafrian will be thankful of your help to solve her mystery. (Quest Finished) Option B Go To Historian Rodafrian First (this is a dangerous option, as there is a failure path on this branch) 1B. Go to Rodafrian (morocc_in 45, 126) and tell her the last verse of the rhyme. Choose either tell her about the poisoned princes or not to tell. i) Tell her about the curse - 1Bi. She will be grateful and tell you about the Western Region and Jormungand. 2Bi. Go back to Father Bamph. He will ask you to verify if the princes are poisoned or not. 3Bi. Go to the mausoleum. Check on the 3rd prince. (Must have 1 Green Potion and 1 Yellow Gemstone). 4Bi. The serpent mark will vanish. Go back to the church office to discuss further. 5Bi. Father Bamph will ask you not to reveal the results to anyone yet due to the impact of the matter. 6Bi. Talk to Father Biscuss (prt_church 184, 110) and he will thank you for your trouble. (Quest Finished, you receive EXP, and may now talk to Bonnie) Note If you speak to Bonnie prior to getting the EXP from Biscuss you will FAIL and get no EXP from this quest. This is due to breaking the Priest s edict of not telling anyone two times prior to them giving you clearance to do so. ii) Not telling her - 1Bii. Rodafrian will be thankful for your help. 2Bii. Go back to Father Bamph. He will ask you to verify if the princes are poisoned or not. 3Bii. Go to the mausoleum. Check on the 3rd prince. (Must have 1 Green Potion and 1 Yellow Gemstone). 4Bii. The serpent mark will vanish. Go back to the church office to discuss further. 5Bii. Father Bamph will ask you not to reveal the results to anyone yet due to the impact of the matter. He will ask you to bring some relief to Bonnie Imbullea. 6Bii. Go back to Bonnie Imbullea (mjolnir_01 316, 268). Tell her that the exorcism is not her fault and good news will arrive soon. (Quest Finished) Categories Articles Needing DB Links | Quest Window Quests | Base Experience Reward | Noghalt Quests